Saturday, March 18, 2017

Evening for Educators Workshop: What You Wear On Your Feet

Evening for Educators Workshop: What You Wear On Your Feet

Artist: James Mollison







Enduring Idea: We are all human, which connects us, and yet we are unique.

Rationale: James Mollison is an artist who focuses on using photography to document people from all around the world to show their similarities and differences. We are all people that are a part of a much larger world with more diversity and different cultures than I think most people realize. We are all so different and yet the same. James Mollison does a good job of finding something in common, like playgrounds or where someone sleeps, and showing the differences through comparison. These are topics that will help spark greater cultural awareness when introduced to students. Students will learn about people that are the same and different from them, which will lead to greater empathy and understanding.

Objective: Through discussion and an art activity, educators will learn about the artist James Mollison and become familiar with his work, so they can implement some of his ideas and practices into their teaching.

Key Concepts:
  • We are all human
  • Human experience can be boiled down to the same basic elements
  • We have a lot in common
  • We also have a lot of differences
  • Cultures connect us
  • Cultures distance us
  • Learning about different cultures is important
  • Recognizing our own culture is important

Essential Questions
  • What does it mean to be human?
  • How are we the same?
  • How are we different?
  • What connects us as humans?
  • What does your cultural experience mean to you?
  • How has your environment shaped your life?

Workshop Plan:
  • Discussion (20 min)
    • Look at some examples of James Mollison’s artwork on a projector or from printed out images. In small groups at your tables discuss what you notice from the pictures. What are some ideas or concepts that come to mind? Share these ideas with the whole group. Ask some of the essential questions about the human experience and how we are all connected yet different. Maybe brainstorm some different ways that people from different cultures are the same and different.
  • Introduce the Art Activity (5 min)
    • Mollison uses photography as his medium of documenting these similarities and differences across cultures and locations. We will also use photography as our main medium.
    • Find something in common that we all have, but will still be unique to each individual; for example, what you wear on your feet.
    • Everyone will need to take a picture of whatever they are wearing on their feet and they will need a picture of themselves.
    • Following the practice of Mollison, we will create a diptych of the image of the person and what they wear on their feet. Then we will hang all of these images up on the wall to see the similarities and differences (If there’s no printer we can email them and look at them on a projector).
  • Complete the Art Activity (20 min)
  • Look at the finished product and discuss what we learned or other ideas (5 min)
    • How are what we wear on our feet the same?
    • How are they different?
    • What do we learn from comparing them this way?

**Another idea or adaptation of this project could be called “On The Tips of Our Fingers” instead of “What We Wear On Our Feet.” For this art project we would make fingerprints from dipping one finger in ink and pressing it onto a piece of paper; then scanning in those fingerprints, enlarging them and printing them out. Then display the fingerprints in a series with all the other participants. Through this project we can also see something that we all have, but is still unique to us.

Monday, March 13, 2017

Olivia Gude Response

I really enjoyed reading Olivia Gude's articles about art education and creating an engaging and important curriculum. Here are some points that stood out to me from the different articles that I read:

  • Does this curriculum support students in engaging and making personally satisfying and meaningful works of art, craft and design?
  • Does this curriculum adequately represent a range of the art, resources, artistic practices and cultural theories in this society at this time?
  • Quality Projects:
    • value engaging in authentic artistic processes over making facsimiles
    • value contemporary practices of medium, over curriculum that merely recapitulates the history of the medium.
    • value investigating over symbolizing
  • Challenge young teachers to remain certain of their vocation to teach while becoming increasingly uncertain about the cultural position from which they will teach.
  • Critical to unlearning racism is accurate information about one's own ethnicity and cultural heritage
  • Teachers must be willing to decenter themselves by questioning their deepest beliefs, consciously examining the origin of their ideas and interrogating these ideas within the framework of other ways of experiencing and knowing
  • Change is made and person'a/political relationships are formed by small, effective exchanges of understanding
  • Good art projects encode complex aesthetic strategies, giving students tools to investigate and make meaning
    • the use of discipline-centered inquiry
    • the construction of knowledge
    • teaching and learning that make connections beyond school
  • Quality art generates new knowledge
  • Assessment Big Picture: developing students as makers, presenters and interpreters of art
    • create, present, respond
  • It's not our job to assess student artwork, it's our job to assess student learning
  • Creating Creative People
    • Ability to play
    • openness to experience
    • an inner locus of evaluation-trust one's own process
    • develop the capacity of students to instinctively respond to situations with playful creative behaviors
  • Engaging Social Issues
    • acknowledge the dilemma - all forms of representation diminish the subject because they are never as complex as the total reality of the subject
    • avoid the sense of speaking about silent absent others, by making use of artist statements, interviews and video clips
    • free students from the limiting terminology of dominant, oppressive cultural practices
    • clean up classroom language
    • silently send a message about who is welcome in this class
    • include gay artists in your curriculum
As I was reading her different ideas about creating curriculum I was thinking about the curriculum that I am making. I'm really interested in what she had to say about play and possibilities in artwork because that is the big theme or idea that I want to explore throughout my curriculum. We always talk about wanting to create a creative environment in the classroom, but other criteria often seem to get in the way of free creativity and expression. I hope to teach/discuss different ideas and techniques to students so that they can take those skills and concepts to create something new and from themselves. I also was thinking a lot about being aware of the culture of the students that I will be teaching. I am student teaching in Washington D.C. which has a predominantly black student population. I need to consider this as I create my curriculum. I also need to become more aware of my own culture, like Olivia talked about.